cheap extra large plant pots Large Sphere Planter for Small Trees and Shrubs
SKU: 22588840471
cheap extra large plant pots

cheap extra large plant pots Large Sphere Planter for Small Trees and Shrubs

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Description

cheap extra large plant pots Large Sphere Planter for Small Trees and ShrubsExtra Large Sphere Planter Ideal for Small Trees, Shrubs & Feature Plants Instantly elevates gardens, patios, roof terraces and courtyards. A sculptural statement planter that blends premium materials with timeless design, the Orbello large sphere planter is an exceptional choice for those seeking to create a striking focal point in their outdoor or indoor spaces. 207L capacity perfect for small trees, ornamental shrubs and dramatic arrangements,

Extra Large Sphere Planter – Ideal for Small Trees, Shrubs & Feature Plants

Instantly elevates gardens, patios, roof terraces and courtyards.

A sculptural statement planter that blends premium materials with timeless design, the Orbello large sphere planter is an exceptional choice for those seeking to create a striking focal point in their outdoor or indoor spaces.


  • 207L capacity – perfect for small trees, ornamental shrubs and dramatic arrangements, providing ample room for root growth and soil nutrients
  • 70cm wide × 64cm tall – with a generous 57cm planting opening, allowing for easy planting and maintenance of your chosen greenery
  • Hand-crafted from pigmented cement stone – no paint, no peeling, no fading, ensuring long-lasting beauty and durability in various weather conditions
  • Indoor & Outdoor use – internally sealed, frost-resistant and built to last, making it versatile for any setting
  • Pre-drilled drainage holes – for healthy roots and easy water management, preventing waterlogging and root rot
  • Solid and secure – 38kg empty weight with a steel-reinforced core, providing stability and resistance to tipping
  • No assembly required – arrives ready to style, saving you time and effort
  • Low-maintenance – wipe clean; no treatments or re-sealing needed, reducing ongoing care requirements
  • Flat base – sits securely on any solid, level surface, ensuring stability and preventing damage to your patio or indoor flooring

Tip: place the Orbello in its final position before adding soil and plants to avoid difficulties in moving the filled planter


Why Choose the Orbello Planter?

  • Premium pigmented cement stone – colour runs through the body, ensuring long-lasting aesthetics without the risk of surface damage
  • Generous 207L soil capacity – larger than most round planters in its class, providing ample space for root development and nutrient retention
  • Perfect scale – for patios, courtyards & interiors; suits olives, bays, acers and flowering shrubs, allowing for versatile landscaping options
  • Hand-made finish – each planter has unique texture and character, adding an artisanal touch to your space
  • Engineered strength – steel-reinforced walls resist cracks and knocks, ensuring longevity even in high-traffic areas
  • Long-life sustainability – designed to last decades, outliving disposable plastic pots and reducing landfill waste, aligning with eco-conscious gardening practices
  • Design flexibility – combine with the 686L Orbello for a striking, layered display, allowing for creative and dynamic landscaping arrangements

Full Description

Introducing the Orbello – a bold, sculptural planter crafted to elevate any setting. Its perfectly balanced spherical silhouette and commanding presence make this 207-litre vessel ideal for small trees, ornamental shrubs or layered plantings, indoors or out. The large sphere serves as a stunning focal point, enhancing the visual appeal of gardens, courtyards or expansive interiors.

Each Orbello is hand-poured and hand-finished by skilled artisans using a premium blend of pigmented cement stone. The surface reveals a natural, weathered texture, gentle pitting and organic imperfections, ensuring no two pieces are ever identical.

Finished in Blushstone – a warm, earthy blend of terracotta, rose, and clay tones – this contemporary new colourway offers a soft, natural aesthetic that complements both greenery and architectural materials. Because the pigment is infused throughout the cement, it will never fade, peel or flake like surface-coated plant pots.

Built for real-world environments, the Orbello is internally sealed and frost-resistant, with discreet pre-drilled drainage holes for optimal root health. These features ensure healthy plant growth in both outdoor and indoor environments. A steel-reinforced core provides structural strength, and at 38kg unfilled, the Orbello balances solid stability with manageable placement.

With no assembly, minimal upkeep, and a timeless sculptural design, the Orbello is built to last – in both construction and style.

It looks stunning in multiples – flank a doorway with matching pairs or combine this size with larger Orbello planters to create a dramatic, tiered arrangement.

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SKU: 22588840471

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Martin M. Bodek
Birmingham, US
★★★★★ 1
A Total Sham-dy
What in the hell was this lunatic yammering about for all those 650 pages? What is the deal with his obession with noses, penises, and hobby-horses, hobby-horses, hobby-horses? Why does anyone consider it amusing when a writer keeps telling you he's going to get somewhere, but never does? Why is it entertaining at all to have blank chapters? Why is that cute? Why is that interesting? Who finds this funny? Who finds anything funny here at all? Why does this book of endless, mindless prattle, blabber, and piffle tickle anyone at all? Who finds digression to be enjoyable in literature? You? Why? Why? Tell me! I checked the ratings on Goodreads. This is what it showed: 5 stars: 33%, 4901 4 stars: 28%, 4064 3 stars: 22%, 3268 2 stars: 9%, 1414 1 star: 5%, 848 Meaning: 95% of these readers are flock-following, digression-loving, hobby-horse riding loonies who have swallowed the Kool-aid. There is nothing here but vacuous thundergunk. Pure, putrid unenertaining garbage. If I would have laughed once - just once - during the reading of this book, I would have given it a whole extra star, but it couldn't even do that. I give him one star for spelling Tristram's name right, and even then, it's a made-up name anyway, so I may have been hoodwinked as well.
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Reviewed in the United States on September 19, 2016
M
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Michael Harold
Houston, US
★★★★★ 5
Laurence Stern is still one of the most creative writers ever
This review is not about the words and images inside the book. This is about the fact that, when I removed the book from its packaging, the book's cover had too many creases and bends in it, both front and back, for my taste. Although I do think that Laurence Sterne might have smiled at my response, I don't think the creases were a type of samizdat (think Alexander Solzhenitsyn) added by a disgruntled/creative employee at Amazon. If this doesn't make any sense to you, or seems to be a silly mountain out of a molehill compliant, you will love the book.
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Reviewed in the United States on February 21, 2025
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J. Edgar
Pawtucket, US
★★★★★ 5
A Few Thoughts on Tristram Shandy by Laurence Sterne
Shandy is an amazing book. More than anything it made me think of a late 1990s vibe with Seinfeld and David Foster Wallace. I can imagine the discourse that must have grown up around it. It I about memory and storytelling but also about nothing but also childbirth and siege warfare. I’m glad I read it; it was worth it even if it took a while.
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Reviewed in the United States on May 14, 2023
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Paul Frandano
Pawtucket, US
★★★★★ 5
A Dyadic Review: Baffling, Brilliant
Difficult. Rewarding. Serious. Hilarious. Wise. Faux-wise. Scholarly. Mock-scholarly. Observant. Absurdly, obsessively observant. Sharp characterizations. Ridiculous characters. Devout. Bawdy. Endearing. Frustrating. Genius. Barking mad. Narratively incoherent. Stream-of-consciousness associative. Consistently provincial. Profoundly universal. Mired in the 18th century. Harbinger of 20th century literary Modernism. Baffling. Brilliant Not for every taste. For my taste. And while I'm at it, let me give a shout-out for the out-of-print Norton critical edition, which provides many helps, essay avenues of understanding, and a clever chapter summary/table of contents. For so many years - since reading Moby Dick in grad school with the help of a Norton critical - this publication line has been my go-to for great texts: useful annotations, contemporary reviews, later scholarly articles, and more. And also let me give a shout-out to Anton Lesser, who narrated the complete novel for Naxos. I have never, ever experienced an audiobook as masterfully produced and narrated as Naxos' Tristram Shandy. No, it is simply not a book one can listen to and fully comprehend as heard. But one might read while listening, or listen while reading, with - if you have the riight software - the narration sped up closer to one's own reading speed, and experience the full majesty of Lesser's absolute preparation, with Latin, Greek, French, and German - as well as regional English - beautifully and humorously intoned, character voices carefully differentiated, tone and mood captured, etc. Or, as I do, go for a walk and listen as you walk, and afterward slip into a comfy chair, crack the novel open, and continue from where you left off, or backtrack if necessary to sort out the characters. In any event, and particularly for devotees of audio books, do find Anton Lesser's note-perfect reading, a veritable radio serial, perhaps the last book you'd expect anyone to attempt single-handedly, with My Father, My Uncle Toby, Corporal Trim, Parson Yorick, Doctor Slop, Widow Wadman, and all the rest of the supporting characters beautifully, consistently interpreted. Lesser is, in a galaxy of fine narrators, the greatest I've heard: an absolutely peerless voice actor in a most demanding work.
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Reviewed in the United States on June 13, 2016
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Verified Purchase
Ritesh Laud
Lowell, US
★★★★★ 5
Brilliant stream of consciousness style, *extremely* humorous
"The Life and Opinions..." is perhaps impossible to really classify. It purports to be a biography of the fictional Tristram Shandy, but I don't think you can call something a biography when it only covers a year or so of the subject's life! I would say that more than half of the novel actually falls into the "Opinions" referred to in the title. The rest consists of short stories on Tristram's father, uncle, and a couple other minor characters. I have never in my life read so many digressions from the topic at hand, most of which were utterly irrelevant but the charm of it is that Sterne *knows* they're irrelevant, but mockingly expresses his license of authorship in forcing the reader to go off on these sidetracks. His attitude is: "If you can't wait a chapter or two to get back to the story, well, go take a flying leap, I'm the author." Sometimes the digressions are exasperating. Very unlike Victor Hugo's signature habit of digressing, say when a certain main character in Notre Dame decides to enter the Paris sewers, Hugo takes thirty or more pages to give a history of the design and construction of the Paris sewer system. At least Hugo's digressions have *something* to do with the story. Well, maybe that's the problem. There isn't a main story in this novel. It's not a storybook. There are many short stories nested within the main framework, but there is no real protagonist or overarching theme of any sort. Indeed, the end comes abruptly and there is absolutely no resolution of any conflict. It's not trying to teach anything, really. So what is it? I'm not sure. More a comedy than anything else. Right up there with Dickens' "Pickwick Papers" in terms of humor, but lacking the story. Maybe funnier than Dickens and just as clever. I was rolling in the aisles so many times I lost count. I read the Penguin edition, edited by Melvyn & Joan New. The back cover does a better job than I could ever do in providing a sense of what you're getting into when you pick this one up: "No one description will fit this strange, eccentric, endlessly complex masterpiece. It is a fiction about fiction-writing in which the invented world is as much infused with wit and genius as the theme of inventing it. It is a joyful celebration of the infinite possibilities of the art of fiction, and a wry demonstration of its limitations." It's a large work, it will take a while to work through. It's worth it. There are passages I want to go back to and make copies of to tape to the walls, they're that brilliant.
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Reviewed in the United States on July 31, 2005

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